Showing posts with label Latin-Jazz. Show all posts
Showing posts with label Latin-Jazz. Show all posts

Friday, July 8, 2016

Χθες το Βράδυ

Σε αυτό το νέο του δίσκο (Χθες το Βράδυ) ο Δημήτρης Καλαντζής διασκευάζει κλασικά "ελαφρά" τραγούδια των Γιαννίδη, Καπνίση, Σουγιούλ, Σπάρτακου, Μουζάκη, Μωράκη, Γιάκοβλεφ και Θεοφανίδη.
Ο Καλαντζής διευθύνει μια ορχήστρα 27 μουσικών με οδηγούς 3 γυναικείες φωνές (Αθηνά Ρούτση, Πηνελόπη Τζανετάκη και Τέρρυ Βακιρτζοπούλου) συν 2 guests: την Αλέκα Κανελίδου και την Έλλη Πασπαλά.

smooth jazz, mambo, bossa-jazz, bolero, swing

Ποτέ μην Κλαις, του Τάκη Μωράκη και του Κώστα Κοφινιώτη. Πρώτη ηχογράφηση: 1955.
Εδώ με την Πηνελόπη Τζανετάκη.

Εδώ αξίζει να αναφέρουμε και μια ακόμα ερμηνεία του τραγουδιού αυτου. Ήταν 2013 όταν ο Δημήτρης Καλαντζής συμμετείχε ως πιανίστας στο δίσκο του Πρίαμου Μωράκη The Athenian Project. Η Πηνελόπη Τζανετάκη τραγουδούσε και εκεί το ίδιο τραγούδι σε διασκευή του Πρίαμου Μωράκη αυτή τη φορά.

Friday, August 30, 2013

"Summer Hits"

Cayetano – aka George Bratanis – started his musical journey with Stroggilo Kitrino (The Round Yellow) band back in 1996. As a solo artist under the name Cayetano he appeared in 2004 and since then he has released 5 albums which gained him international recognition.


This is his latest single, a great cover of Commodores' Easy.



www.cayetanomusic.com


Coming from the new EP (2012) of Super Mario and the Exotic Watermelons, this is an afrobeat influenced tune. This EP is the second addition to the funky, soul, jazz universe of Super Mario and the Exotic Watermelons.

https://www.facebook.com/pages/The-Exotic-Watermelons/329822327048145



Dr. Opin is not a Greek band but the reason it is featured here is Yorgos Pervolarakis, their vocalist, guitarist, composer and lyricist. Dr. Opin describe their music as a cosmopolitan amalgama of worldbeat, Balkan, downbeat, soul-punk.
Here’s a great cover of Tuxedomoon’s In A Manner of Speaking coming from Dr. Opin’s album Time Garden (2010)

www.doctoropin.com/


Salvador Sango – aka Sotiris Papadopoulos – released a second album in 2012, Cuando Se Caen Las Mascaras (When The Masks Fall), further exploring the afrobeat and latin jazz style.


salvadorsango.com

Sunday, June 30, 2013

Jazz Bouzouki

They call him “phenomenon”. Michalis Paouris has a target: to make bouzouki famous as a leading jazz instrument. He is not the first to play jazz bouzouki but certainly he is impressive. To quote Al Di Meola “His technique is ridiculously fast! So it reminds me of me when I was 25 years younger…”
Born in Athens, he started playing bouzouki at 8 and he has released 2 albums up to now.



The Rosenberg trio & Michael Paouris - Minor Swing (2012)


Al Di Meola - Peo Alfonsi & Michael Paouris in Athens


Silencio from his latest album Disharmony

Check blog, FB, YouTube


Nikos Tatasopoulos was born in USA and is the son of bouzouki soloist John Tatasopoulos. While in US he studied classical piano and jazz guitar. He started playing the bouzouki at the age of 3 and toured extensively with his father. At the age of 19 he returned in Greece and since then he has collaborated with many great Greek artists.

Minor Swing


www.nikostatasopoulos.com/


Manolis Karantinis is a bouzouki virtuoso with 2 personal albums and numerous appearances in works of great Greek composers and singers. His style incorporates elements of rembetico, Spanish music and jazz.

Bouzouki in Spain

www.karantinis.com/en/


George Hristidis is another bouzouki prodigy. In 1982 he released the album From East to West (Ap' Anatoli se Dysi) with Mimis Plessas covering Greek and international standards.

Carnaval (Luiz Bonfa)



Diamantis Hiotis is the son of the famous Manolis Hiotis. He is a multi-instrumentalist and inventor of the bouzouki with 5 strings (his father invented the bouzouki with 4 strings which together with the tuning made the jazz playing possible).

Diamond Tecckilla



Harry Lemonopoulos, born 1923 in Katerini, Greece and died 1975 in US is considered one of the best classic bouzouki players. Although he started as a violonist and guitarist he took bouzouki to another level.

Selection from Gypsy Melodies (Tsitsornia) from the album The Golden Fingers of Harry Lemonopoulos
 

Sunday, November 20, 2011

El Griego Rumbero

When I first contacted Demetrios Kastaris, beginning of November, I did it to ask if he was going to release any of the material produced by his new project, Conjunto Katharí. Until then I had only read on the web about the new group and their mix of salsa and gospel, but I didn’t have an idea of their sound. Nothing existed on the web. Demetrios not only responded but also sent me the 3 songs they had recorded at the time! The timing was great as he informed me they were about to release the songs. So this is probably the first article written where you can also listen to a sample of Conjunto Katharí music. The 3 songs were made available online last week.

Conjunto Katharí was founded in June of 2010 by trombonist Demetrios Kastaris and his wife, Arts Administrator Hilda Kastaris. Conjunto (pronounced cone-hoón-toe) means musical ensemble in Spanish, and Katharí means pure and clean in Greek.
Demetrios Kastaris explains that the purpose of the group is to perform Afro-Caribbean music with Gospel lyrics.
The instrumentation consists of 4 trombones in 4 parts harmony (big influence was the 4 trombones arrangements of Willie Colon), 3 percussionists, 3 singers in harmony, piano, bass, plus invited guest soloists.

Demetrios with Salsa Legend Willie Colon

The orchestra’s debut concert took place December, 2010 at Flushing Town Hall in Queens, New York with master Jazz virtuoso trombone and conch shell player Steve Turre as a guest.

Conjunto Katharí have just released their first recordings.

Here's a preview of the 3 songs
1. Si Tuvieras Fé Como Un Grano De Mostaza (If You Had the Faith of a Mustard Seed)
2. Vamos Escalando Peldaños (Let’s Go Climbing Up Stairs)
3. Wade in the Water



You can listen/buy the songs here or go to http://www.elwatusi.com/ and type Conjunto Katharí

AN INTERVIEW WITH DEMETRIOS KASTARIS

Q: Demetrios you've been called “El Griego Rumbero”. The Latin-Jazz Coalition has gained a good reputation and released an acclaimed album and you introduced Conjunto Kathari, your salsa-gospel project. What is your musical vision?

With the Latin Jazz Coalition I wish to continue doing concerts with well-known artists as well as continue growing as a trombone player, composer, arranger, band leader, and Jazz improviser. Just because I founded a new group called Conjunto Kathari does not mean that I am going to stop doing concerts with the Latin Jazz Coalition.

Oh by the way, I am called El Griego Rumbero because I was born in Greece and I maintain my Greek identity while performing Afro Cuban and Puerto Rican music with a great band and with well-known musicians. Historians and scholars of Latin music have brought it to my attention that I am the first Greek-American in recorded history to lead an authentic sounding Latin band of Afro Caribbean music and Jazz.


In terms of Conjunto Kathari which is only a year and a half old I have a very different vision. There is a message of God`s love in Conjunto Kathari. I want to give hope and love to people that feel hopeless and helpless, regardless of what culture they come from or what their religion is. God has put that love in my heart for all people. I desire to play in prisons, psychiatric hospitals, and on the streets in tough neighborhoods where there is gang violence, drugs, and prostitution. All these people need to feel love. I get this desire to do humanistic things from my relationship to Jesus Christ. I have been given so many blessings it`s time for me to give back.


For those who don`t know Greek and Spanish Conjunto Kathari means pure and clean musical ensemble. That`s quite a reputation to live up to. I feel that Conjunto Kathari has to play in an exceptionally excellent way because many people don`t accept our message as far as Jesus is concerned. If our music is great many people will eventually accept our message.


Also in Conjunto Kathari I get to play in a trombone section with a total of 4 great trombone players in 4 part harmony. I also get to play Salsa with Gospel lyrics as well as Contemporary and traditional Gospel music. I have wanted to do all of this for years.


Q: What is your Greek heritage?

I was born in Theassaloniki in 1959. In 1961 we moved to the United States. My dad was a Greek Orthodox priest for his entire life. My mom was a home maker from Athens. My dad was also 100% Greek and grew up in Athens but he was born in Alexandria Egypt. I consider myself 100% Greek (Greek American). I also can claim a small tie to African rhythm from my father`s side. I grew up in an extremely Greek environment and culture. We spoke Greek only at home and English only at school. I went to Greek school at 3:30 after American school for many years so that I would learn Greek. I have visited Greece in the summer ten times and I love my Greek culture.

We love to eat spanakopita and baklava. We also really love to listen to Kalamatiano and Zembekiko. Even though I am immersed in Afro Cuban music today I really love to listen to recordings of Haris Alexiou. I go crazy when I listen to that music.


By the way, my wife is from Colombia, South America so I am fully fluent in three languages, English, Greek, and Spanish.


Q: Your favorite music?

I love Latin music, Latin Jazz, Greek music, Jazz, Classical, almost everything except for music that talks about violence

Q: Any plans of live performances in Greece/Europe in the future?

It has been my desire for years to travel to Greece and do concerts. We have to stay at it and see what doors open up.

Q: What's next?

Well, I have been working very hard with my wife building the infrastructure and administrative strength of both bands. This part of being an artist is tedious and time consuming but as in the past it has opened many marvelous doors for performing and recording. We want to record more with both orchestras.



Latin Jazz Coalition older GREEKAZOID post here
Latin Jazz Coalition web site: www.thelatinjazzcoalition.com
Demetrios Kastaris e-mail: kastaris@juno.com
youtube: type: latinjazzcoalition

Monday, May 16, 2011

The Advice of Şangó

Following the post re band-leader Demetrios Kastaris and his Latin Jazz Coalition, here’s another great band-leader and musician who made it to shape his dream and offer some great music.

Sotiris Papadopoulos, born in Volos, Greece, is a scientist (PhD in Atomic Physics) who gave up academic research to follow his dream: unite people through music. It’s not only the Greek origin that is common between Sotiris Papadopoulos and Demetrios Kastaris but also their interest in latin jazz.
 Sotiris Papadopoulos has practiced the guitar in parallel with his studies. When in Germany he meets and becomes friend with Ira Coleman while in 1980 he travels to Nigeria to play on stage with Fela Kuti (!). In the following years he develops an interest for African music.

Ashake - Salvador Sango


When in New York for his studies he has the opportunity to play with Tito Puente.
In 1988 he moves to Nigeria and in 1989 he performs with Dizzy Gillespie in the latter’s Nigeria tour. During the following years he plays with Femi Kuti, Orlando Julius, Vicror Waifo among others while in 2004 he creates his group Salvador Sango featuring musicians from Nigeria. Their music is a blend of Afrobeat, Afrocuban, Latin Jazz, Flamenco.

Toussaint l'Ouverture - Salvador Sango


You can purchase their album “The Advice of Şangó” here
More info here

Saturday, April 16, 2011

Trombone with Spice

A great old fashioned exotica cover for a superb latin-jazz album of 2000 released by trombonist Demetrios Kastaris and The Latin Jazz Coalition.
Demetrios Kastaris was born in Thessaloniki, Greece but moved to US before the age of 3. He lived in St. Louis where started his music lessons and became a fan of jazz. It was in New York where he was exposed to the poly-rhythmic sounds of Tito Puente, Mongo Santamaria, Ray Barretto etc.

He formed the Latin Jazz Coalition in 1986 aiming to explore the latin-jazz music with original compositions.
After 14 years of live performances the band developed their sound and released this first album Trombon Con Sazon in 2000 with great reviews by music press:

"A unique new and exciting sound in Latin jazz. The musical level is what I would expect from Tito Puente, Oscar D' Leon or Willie Rosario. One of the best new recordings that I've heard so far this year that combines traditional Latin music, Latin jazz, Brazilian music and Funk. An outstanding effort." Max Salazar, Senior Editor, Latin Beat Magazine 

Demetrios Kastaris and The Latin-Jazz Coalition - Trombon Con Sazon

more info
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